Obiettivi formativi
To acquire outlines of medieval and Renaissance music, of Humanism and the Renaissance in Western culture.
Contenuti dell'insegnamento
Sequences, tropes and liturgical drama. Development of musical dramaturgy in the spiritual theater between Humanism and Renaissance. The rediscovery of “canto alla lira” as a Humanistic product and the Fable of Orpheus by Politian. Development of the concept of accompanied monody and birth of musical dramaturgy in the Florentine experiment of the sixteenth and seventeenth centuries.<br />
Bibliografia
LUISI, F.: La musica vocale nel Rinascimento, Turin, ERI, 1977 (from page 95 to page 263). <br />
GALLICO, C.: L'età dell'umanesimo e del rinascimento, Turin, EdT, 199 1 (History volumes produced by the Società Italiana di Musicologia, Nos. 2, 3 and 4, respectively). <br />
LUISI, F.: Il Caritesio, Padua, CLEUP, 2009 (first part on the theater, medieval and Renaissance, up to page 239). <br />
<br />